Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.
Im an illustrator, working for brands. My work is fuelled by my observing nature and ongoing curiosity, utilizing simple shapes to tell all sorts of stories. My clear signature applies to both my personal work as well as my commercial commissions. Among my clients are Google, The New York Times, The New Yorker, Facebook, Vogue, TED and Twitter. Oh and I like to paint. Which still feels very new to me and slows me down.